8/17/2023 0 Comments Best computer for logic pro xIf you’ve come across my other articles, you already know I’m a big fan.įirst, the MiniLab has a solid design. Wouldn’t it be great if a company made a product that fully integrated with Logic, but was jam-packed with other novel features too? Turns out, Arturia already has!Ī friend of mine has an Arturia MiniLab 3, and I’ve talked about it before on Music Strive. However, its simple yet customizable usability will certainly appeal to musicians interested in sound design and beatmaking. Its keys feel like thin plastic, and the two octaves are limiting for some. I will say that compared to other controllers, the Impact LX seems the cheapest. Electronic musicians using it as a fully integrated Logic groovebox. Its pads respond great to nuanced playing.īut it also has advanced arpeggiator options, and the encoders can do extensive sound tweaking. The joystick can be used for big-picture navigation, while the wheel can be used for finer selections.įrom my time experimenting with it, I can see the Impact XL working well for DJs and EDM artists. While just one would have worked perfectly, I appreciate the added control they give. The Impact LX also houses a joystick and scroll wheel. You can switch between tracks, sections, and songs. They also include a SHIFT button, doubling their capabilities. Nektar crammed in as many DAW controls as possible, and they did remarkably well.įirst, the transport buttons do the typical things you would expect. At two octaves, it leans closer to Logic manipulation than performance.Īlongside its transport controls, the Impact LX includes eight labeled encoders and pads. The Nektar Impact LX Mini is much smaller than the previous two keyboards. If you’re more like Miles Davis though, the Launchkey was made with you in mind. Others, like Miles Davis, recorded or played whatever he felt in the moment.īoth are equally valid ways to create. Some musicians, like Chopin, meticulously pored over every aspect of his compositions, analyzing everything. The result is a streamlined product that “speaks” Logic natively, while still allowing customization and freedom within the creative process. With some practice, you can also use them to solo, mute, and manipulate playback in real time. Its pads can also be used beyond sampling and finger-drumming. Besides the expected buttons, others can be used to arm and navigate between tracks, lock and unlock, and even save MIDI solos that you didn’t think to record. Its transport controls (buttons that affect the entire DAW, like “play” and “pause”) also support live music making. Scale mode and its various chord options encourage melodic experimentation, and its encoders can be re-assigned to whatever function you need (via “pot mode.”) The Launchkey instantly maps to Logic, and its features are optimized for live sound shaping. If your creativity thrives on spontaneity, the Launchkey is a great match. If the Arturia KeyLab 61 MkII excels with combining mixer functions with a keyboard, the Novation Launchkey 49 MK3 excels by combining live manipulation with a keyboard. While it might be more expensive than others, its combined features make it well worth the expense. If you enjoy the process of mixing but need a controller more, the Arturia KeyLab is a great solution. Given this mindset, I treat it like an extended console. Paired with its universal controls and playing features, I consider the Arturia KeyLab to be two products in one: a full instrument and hardware mixer. These small details make the creative process much more natural. With real faders on a controller, you can physically adjust volumes without mouse-hunting or constantly glancing between your controller and screen. I find that mixing music with an on-screen mixer can be time-consuming. My favorite DAW-integrated features are the eight faders. It’s one thing to have a keyboard with cool features it’s another thing entirely to use those features to directly control a DAW. I was impressed not only at the tactile tools Arturia included, but also their well-thought-out DAW compatibility. Sixteen pads are next door, followed by global controls, and ending with mixers and faders on the right side. At one octave less than an acoustic, it packs its features in neatly organized groups. The Arturia KeyLab 61 MkII includes some handy features well within the budget of many musicians.
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